Distance Observed is a six-piece collection built around one deceptively simple relationship: two circular forms sharing the same field, close enough to feel connected, but separated enough to create tension.
At first glance, the work feels clean, bold, and minimal. But the longer you sit with it, the scale begins to shift. These forms could be cells beneath a microscope, where the space between them is measured in molecules. They could be planets suspended in a quiet, impossible atmosphere, where that same space becomes miles. They could also be read emotionally, as two bodies, two lovers, two thoughts, or two versions of the self held in a moment just before contact.
The power of the collection lives in that uncertainty. The viewer is not told what distance means. The viewer decides.
Painted in latex, acrylic, and gouache on gallery-wrapped canvas, each 36 x 36 inch work uses color, proximity, and negative space to turn abstraction into feeling. The compositions are restrained, but not cold. They are quiet, but not empty. Each painting creates a small universe where closeness, separation, attraction, and hesitation can all exist at once.
Distance Observed invites the collector to choose their own scale: microscopic, cosmic, emotional, or deeply personal.
*Available individually, or as a collection (inquire for collection price)
Distance Observed is a six-piece collection built around one deceptively simple relationship: two circular forms sharing the same field, close enough to feel connected, but separated enough to create tension.
At first glance, the work feels clean, bold, and minimal. But the longer you sit with it, the scale begins to shift. These forms could be cells beneath a microscope, where the space between them is measured in molecules. They could be planets suspended in a quiet, impossible atmosphere, where that same space becomes miles. They could also be read emotionally, as two bodies, two lovers, two thoughts, or two versions of the self held in a moment just before contact.
The power of the collection lives in that uncertainty. The viewer is not told what distance means. The viewer decides.
Painted in latex, acrylic, and gouache on gallery-wrapped canvas, each 36 x 36 inch work uses color, proximity, and negative space to turn abstraction into feeling. The compositions are restrained, but not cold. They are quiet, but not empty. Each painting creates a small universe where closeness, separation, attraction, and hesitation can all exist at once.
Distance Observed invites the collector to choose their own scale: microscopic, cosmic, emotional, or deeply personal.
*Available individually, or as a collection (inquire for collection price)
